After the success of Fantastic Mr Fox and Moonrise Kingdom, his most accessible and consequently finest films to date, Wes Anderson lets his imagination run wild like never before with The Grand Budapest Hotel; a whimsical fantasy adventure that sees the bohemian director further blur the boundary between mainstream and independent cinema. Continue reading The Grand Budapest Hotel Review
The good old days.
From its potent idiosyncrasy to its ceaseless, yet stylistically flexible humour Moonrise Kingdom is childlike, but in no way simpler or less serious than any of Wes Anderson’s previous films. In fact, it eclipses each of them with a mature expression of childhood complexities. Beneath the varying layers of peculiarity, eccentricity and comedy is a meaningful reflection of relationships, family and love.
Lynne Ramsay’s long awaited cinematic return
There’s a lot going on within Lynne Ramsay’s magnificently harrowing adaptation of Lionel Shriver’s 2003 novel, of the same name, but We Need To Talk About Kevin remains perfectly handled throughout. No shot is wasted within this remarkable film and every moment builds to the central exploration of a dysfunctional mother/son relationship.