The good old days.
From its potent idiosyncrasy to its ceaseless, yet stylistically flexible humour Moonrise Kingdom is childlike, but in no way simpler or less serious than any of Wes Anderson’s previous films. In fact, it eclipses each of them with a mature expression of childhood complexities. Beneath the varying layers of peculiarity, eccentricity and comedy is a meaningful reflection of relationships, family and love.
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Hopefully it won’t leave you craving the end of the world.
Budding screenwriter Lorene Scafaria makes her directorial debut with the intriguing comedy drama Seeking a Friend for the End of the World. What’s immediately impressive about Scafaria’s films is the way in which she approaches the disaster movie subgenre. Rather than being obsessed with explosions, astronauts or superheroes, Scafaria is refreshing by crafting her narrative around a considered presentation of how ordinary people react to extraordinary situations.
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