Proof that you shouldn’t judge a film by its title
An influx of unimaginative titles have plagued modern cinema and the resulting releases carry a sense of negativity long before the house lights are even dimmed. These marketing misconceptions are frequently present within mainstream horror and unfortunately House at the End of the Street falls under this same shadow of audience’s preconceived aversion. However, much like The Cabin in the Woods, there’s a lot more to this film than the title suggests.
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If you go into the woods today, you’re sure of a big surprise
Joss Whedon and debut director Drew Goddard have embarked on creating a unique horror experience that, much like Scream (1996), pays homage to the traditional form of the genre, whilst critiquing the tired conventions of its contemporary equivalent.The Cabin in the Woods reflects the originality Whedon fulfilled with Buffy the Vampire Slayer and it is so typical of him to bring a refreshing approach to a genre that has been done to a repeated, rather grizzly death. Continue reading The Cabin in the Woods Review