The good old days.
From its potent idiosyncrasy to its ceaseless, yet stylistically flexible humour Moonrise Kingdom is childlike, but in no way simpler or less serious than any of Wes Anderson’s previous films. In fact, it eclipses each of them with a mature expression of childhood complexities. Beneath the varying layers of peculiarity, eccentricity and comedy is a meaningful reflection of relationships, family and love.
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A bad day for Die Hard.
Six years ago Len Wiseman found relative success with his attempt at reviving the Die Hard franchise from its twelve year cinema absence. While an ambitious combination of old-school heroics and new-age sensibilities never quite works in Die Hard 4.0, there are at least the familiar high-octane action set pieces to appease the fans and make it a watchable, yet inferior addition to the franchise. Unfortunately, the same can’t be said for the fifth, erroneously titled venture, A Good Day to Die Hard.
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Once Upon a Time in “Istanbul”
Unlike other senior action headliners returning to the genre in an attempt to cash-in on their popularity and reputation, Liam Neeson made his debut in mainstream action cinema late on in his acting career. Pierre Morel’s 2008-hit Taken was the spark that ignited the, then fifty-six year old, actor’s remarkable rejuvenation that saw him subsequently star in at least eight action flicks. Four years since the original, Neeson returns to his role as retired CIA operative Bryan Mills for a predictable sequel, but in this case under the direction of the underwhelming, but brilliantly named Olivier Megaton.
Continue reading Taken 2 Review
The Expendables 2 hits big screens across the UK this week, giving us the perfect excuse to look back at the best action scenes from the careers of its star-studded cast.
Continue reading Expendables 2: Nine Insane Action Scenes Featuring The Arse-Kicking Cast